You can step back instead of driving in if you have grips and if he steps time the reap of his lead leg as he is putting it down. People with standing grappling experience won’t take that bait / but it is ok for self defense where lay people have higher hips and won’t understand what you are doing. If you are in an arm and collar tie you can push with the collar tie elbow into his shoulder joint. You can’t actually push somebody this way but what you are hoping for is that he either braces and you can step back or his is loose enough that you can get some movement in him given you enough to enter for the throw. You kind have to read his reaction to the elbow push. Yout can’t think of it as an elbow strike, but more like a soft push. Turning in a circle while gripping up can give you the abiltiy to time the throw with putting down his leg that is stepping in the direction of the turn. If you turn and can’t turn him it lets you know the throw is a wash before committing to it.You can throw a knee as a fake and as you put the foot down you have an entrace for osoto gari. It is always a simulation (not a sparring technique per se) but in theory the person may shoot their hips back or bend over a bit to accomodate the knee which gives you a good off balancce to play with. If you are seated and you are not being punched or hit with something if you drive up into osoto gari your hips are already much lower than the other person and when you drive up it compliments the Cleveland Browns Official NFL x Fast And Furious 3D Shirt school had a training session with a shoot fighter who used the ballet jump where. Dancer does the front splits in the air for his entrace. We called it the ballet entrance. it worked because the jumping motion nailed the others feet to the ground and as you pass him it shifted his weight to the heel of the side you jumped on. If you are going to play with this be careful with your knees. (the person taking the technique -careful of knees). You can use a pivot step like boxers use. Maybe you are holding a wrist, sleeve arm or whatever. Usually if you pivot, most people will pivot too but after you pivot. That pivot motion that they do can create an entry point using their transition to help with the throw. If they don’t pivot with you this technique will not work. tenchi nage entrance: In aikido they have a throw called tenchi nage. They do it from a double wrist grab which is hard to replicate but you have a wrist and maybe a lapel grab, a deltoid hold or similar and use it to recreate the off balance they use to enter for that throw—but while substituting osoto gari for the throwing part. You would probably need to find an aikido person willing to show tenchi nage to you to really get this down. (sorry for the extra obstacles). The elevator: If you can get a deep enough grip with your collar tie hand, your hand between his shoulder blades or lower on his neck you can raise your bent elbow up (the elevator) elevating his chin for the off balance. It has a flow to it in that you life and start the entrance immediatly. If his chin doesn’t raise there is no point in doing the entrance (which is the forumla off balance, entrance throw—if the prior section of the formula fails you stop doing the formula to throw) Probably next question is how to get that deep grip? That you gotta figure out but if you want one cheat code you can push his shoulder and if he braces or pushes back it give you a way to insert your hand deeper on his back. The cross shoulder elbow: It is similar to the elevator. You put your palm on his opposite shoulder, the shoulder of the leg you want to attack. Put your elbow under his chin and raise his chin while driving for the leg you intend to reap. Like the other elbow things you don’t want to think of this as an elbow strike but more of a nudge to get his chin up for the off balance. This won’t work on a grappler (for a number of reasons which would take a while to explain) but for self defense it is viable because you In sum, a habit is formed during the dream stage, then the habit is reinforced and permanently embedded during the routine stage, at which time we are unconsciously longing for the dream-stage feelings we left behind at the beach or at the spa or at that outdoor concert. This, in fact, is why most beverage brands are so ubiquitously present at summertime music festivals and concerts; those companies know this is one of the best windows to hook new customers on their products. 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